It’s no question. Film and television are two of the biggest culture shapers in our society. And images are more powerful than words. This is why so many are asking for wider visibility in these forms of media that properly reflects the diversity in the US. In this episode, Evan and Hannah talk with actor and YouTuber Nisha Balsara about how Hollywood is failing to give various groups the visibility they deserve on screen. Also discussed are representation in new media, vegans in TV shows, the shocking pay gap, and the positive changes this decade is already experiencing.
Nisha on Instagram
Nisha on YouTube
Here are some links to studies and articles that were cited in this episode.
"Inclusion or Invisibility? Comprehensive Annenberg Report on Diversity in Entertainment"
1/3 of speaking characters were female (33.5 percent)
28.3 % of characters with dialogue were from non-white racial/ethnic groups though such groups are nearly 40 percent of the U.S. population.
3.4% of film directors were female
7% of films had a cast whose balance of race and ethnicity reflected the country's diversity
In broadcast TV, 17% of directors were female and 19 % of programs were ethnically balanced.
In all TV shows…
half the films and TV shows they analyzed had no Asian speaking characters and more than 1/5 of them had no black characters with dialogue.
Just 2% of speaking characters were identified as lesbian, gay, bisexual or transsexual, and more than half the LGBT characters in all the films they examined came from two movies.
When looking at how women are depicted, the study found female characters were four times more likely to be shown in sexy attire, three times more likely to show some nudity and nearly four times as likely to be referred to as physically attractive.
"It's about who is greenlighting those decisions and who is giving the okay for certain stories to be told," Smith says. "When a very narrow slice of the population is in control of power and has the ability to greenlight a project, then we are going to see products and stories that reflect that narrow worldview."
(Stacy L. Smith, one of the study's authors and founding director of the Media, Diversity and Social Change Initiative at USC's Annenberg School for Communication and Journalism)
‘2016 Hollywood Diversity Report: Business as Usual” by the Ralph J. Bunch Center for African American Studies at UCLA
American audiences prefer diverse film and television content
In 2014, people of color purchased 46 percent of all movie tickets sold in the United States.
Geena Davis Institute on Gender in Media’s report: Gender Bias without Borders: An investigation of female characters in popular films across 11 countries (2014)
10% of all films have a gender balanced cast
31% of speaking roles are occupied by women
23% of films feature of female protagonist
When there is a female filmmaker, there is a 6.8% increase in the number of females on screen
Women are 5 times more likely to receive appearance based comments than men
Women are twice as likely to be shown in sexually revealing clothing or with some nudity
Fictional females aged 13 to 39 are equally sexualized
“Female executives are an endangered species in international films”
The Reel Truth: Women Aren’t Seen or Heard
In films with male leads, male characters dominate the speaking time, but in films with female leads, men speak as much as women.
Films led by women grossed 15.8% more on average than films led by men.
Why is Hollywood still casting white actors in Asian roles?
Constance WU Doesn’t Want to be Your “It” Girl
Diego Luna Shares a ‘Star Wars’ Story That Will Bring Tears to Your Eyes
Music by Lee Rosevere and DJ Quads.